主演:西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演:马克·詹金
类型:剧情
地区:英国
年份:2019
简介:康(🌠)沃尔渔村的风景(jǐng )明(míng )信(📒)片(🏽)田园(yuán )诗误导了人(😘)们。虽然过(🕰)去(qù )(🤢)钓(diào )鱼是一种养家糊口的方式,但如今富有(💤)的伦敦(dūn )游客(kè )(👋)纷纷(fēn )下山(❣),取代了当地人,当地人的(de )(👑)生计因此受到(🕖)威胁。史(shǐ )蒂文和(hé )马丁兄弟(dì )的关(guān )(🕌)系(xì )也很紧张(🥞)。马(😚)丁是(✖)一个没有船的渔(yú )夫,因为史蒂文(💞)开(kāi )始(shǐ )用它来为一整(zhěng )天(tiān )的游客提供(gòng )更赚钱的(💱)旅游。他们卖(mài )掉了这(zhè )座家庭别墅,现在看来(🌞),最(zuì )(㊙)后(hòu )一场战(zhàn )(💪)斗是和新(xīn )主人在海边(biān )的(de )停车位上展(zhǎn )开。然而,情况很(hěn )快就失控了,而(⚾)不(🕯)仅(jǐn )仅是因为(🈁)车轮(💝)夹钳。Bait是一种黑(hēi )(🦇)白(😊),手工制(🐛)作(🌹),16毫米(🤷)胶片制作(zuò )的电影。许多关(guān )于(🏒)鱼、网、龙(🈺)虾、长(zhǎng )靴、绳结和(hé )(🔤)渔篮(lán )的特写镜头让(ràng )人想(xiǎng )起了蒙太(🏴)奇景点的理(🔙)论。对不同(🖍)社(shè )会(💣)阶层的描述(shù )——可(kě )以(yǐ )说是阶级关系(xì )(🎦)——也(🍺)让人想(xiǎng )起(🛃)了英国电影中的社会现(xiàn )实主义传统。然而,最(🈺)重要的(🔮)是,在影像(🍯)中不同层次(cì )的电影(🖱)历(lì )史参(😲)考文献(🏡)之下,当前(🛃)许多政治(zhì )关联正在(zài )等待被发(🍉)现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.