主演：西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康沃尔渔村(cūn )的(✒)风景(🥇)明(míng )信(📒)片田园诗(shī )误导了人们。虽然过去钓鱼是一种养(🎹)家(jiā )糊口的方式，但如今(🐮)富(fù )有的伦(🎾)敦游(yóu )(🌫)客(👋)纷纷下山(shān )，取代(dài )了当地人，当地人的生计因此受到威胁。史蒂(✳)文和(hé )马丁兄弟的关系也(yě )很紧张(🥞)。马丁是一(🙁)个(gè )没有船的渔(🥀)夫(🕕)，因为史蒂文开始用(yòng )它(tā )来为一整天的(de )游(🚨)客(🛑)提(tí )供更赚钱的旅游。他们(men )(㊗)卖掉(🥔)了(💻)这(🗞)座家庭别墅(🐑)，现在看来(🌞)，最后(hòu )(👓)一场(🙉)战斗是和新主(zhǔ )人(⛏)在海边的停车位(🤲)上(🕙)展开。然(rán )而，情况(🎋)很(🥕)快就失控了(le )，而不仅(jǐn )仅是因为车轮夹钳。Bait是一种黑白(bái )，手(➡)工制(🐛)作(zuò )，16毫米胶片制作的(de )电影。许多(😝)关于(yú )鱼、网、龙虾(🤔)、长(zhǎng )靴(😙)、(🤥)绳结和渔篮的特(tè )(🥤)写镜头让人想起(qǐ )了(le )蒙(méng )太奇(🚲)景点的理论。对不同(tóng )社(🔫)会阶(🔥)层的描述——可以说是阶级(jí )关系——也让人(rén )想起了英国(guó )电影中(❓)的(de )社(shè )会现实主(😉)义传(chuán )统(🍹)。然而，最重要的(🔮)是，在(zài )影像中不同层(céng )次(🚪)的(de )(🐌)电(diàn )影(yǐng )(🖱)历史参(cān )考文(wén )献之下(💨)，当前(qián )(🛃)许多政治关联正在(zài )等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.