诱饵
类型：剧情 / 地区：英国 / 年份：2019
主演：西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演：马克·詹金
更新：2025-08-15
简介：
康沃尔渔(yú )村(cūn )的风( )景明( )信片田园诗( )误(wù )导
康沃尔渔(yú )村(cūn )的风(🐽)景明(📼)信片田园诗(🔼)误(wù )导了人们。虽然过(guò )去钓(🤴)鱼是一种养家糊(🥈)口的方(fāng )式，但如今(jīn )富有的伦敦(📿)游客纷纷下山，取代了当地人(rén )，当地(🕔)人(rén )的生计因(yīn )此(🛍)受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁(🍮)是一个(gè )没(🚸)有船的渔(🥀)夫，因(yīn )为史蒂文(wén )开始用(🌙)它来(lái )为一整(zhěng )天(tiān )的游客提(tí )供(gòng )更赚(zuàn )钱的(de )(💱)旅游。他们卖掉(🥔)了这(🗞)座(zuò )家庭(🔝)别(✋)墅(🐑)，现在看(kàn )来，最后一场战斗是和新主人(⛏)在(zài )海(hǎi )边的停(tíng )车(chē )位上展开(kāi )(😍)。然而，情况很快就失控(kòng )了(🧣)，而(⚾)不(🕯)仅仅是因为车(chē )轮(lún )夹钳。Bait是一种黑白，手(shǒu )工制作，16毫米胶片制(💅)作(🌼)的(de )电影(yǐng )。许多关于(🏒)鱼(🙎)、(💿)网、龙(🈺)虾(🤔)、(📧)长(zhǎng )(🔍)靴、绳结和渔篮(💏)的特写镜头让人想起(🍽)了蒙太奇景点(🔎)的(de )理(lǐ )论。对(🐖)不同社会阶层的(🌸)描述(⏳)——(🚽)可(kě )以(🍁)说是阶(🕕)级(jí )(😳)关系——也让人(🐂)想起了(le )英(yīng )(👩)国(🧘)电影中的社会(huì )现(xiàn )实(shí )主义传(🚩)统(tǒng )。然而，最重(⏺)要的(de )是，在影像中不(bú )同层(céng )次的电影历史参考文献之下，当前许多政治(🎞)关(guān )联正在等(děng )待被发(fā )现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
详情
