诱饵
类型：剧情 / 地区：英国 / 年份：2019
主演：西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演：马克·詹金
更新：2025-08-15
简介：
康沃尔(ěr )渔(yú )村的风景(jǐng )明信( )片田(tián )园诗误导了(
康沃尔(ěr )渔(yú )村的风景(jǐng )明信(📒)片田(tián )园诗误导了(🕋)人(rén )(😘)们。虽然过去(🤢)钓鱼(🍥)是一种养家糊(🥈)口(kǒu )的方(fāng )式，但(dàn )如今富(fù )有的伦敦游客纷纷下山，取代(dài )了(le )当(😎)地(🚤)人，当地人的(👑)生计因(yīn )此受到威胁。史蒂文和(hé )(🥄)马丁兄(xiōng )弟的关系(xì )也很紧张。马丁(dīng )是一个没有船(🚑)的渔夫，因为史蒂文开始用(yòng )它来(lái )为一(🔩)整天的游客提(tí )供更赚钱的旅游(yóu )。他们(men )卖掉(diào )了这座(zuò )家庭(tíng )(🔝)别墅，现(🙌)在看来，最(㊙)后一场战(zhàn )斗是(🎾)和(⏰)新(🈴)主人在海边的(🧤)停车位(wèi )上(shàng )展(⛳)开(😍)。然而，情况很快(🕐)就(🐀)失控了(le )，而不(🕯)仅仅是因(yīn )为车轮夹(💹)钳。Bait是一(yī )种(zhǒng )黑(hēi )白(bái )，手(shǒu )(➡)工制作，16毫米胶(🃏)片制作的电(diàn )影(yǐng )。许多(😝)关于鱼、网、龙虾(xiā )、长靴、绳结和渔篮的(📸)特写镜(jìng )头让人想起了(🏃)蒙(🔞)太(tài )奇景(📐)点的理论。对(🐖)不同(tóng )社会阶层(céng )的(🌸)描述——(🚽)可以说是阶级关(👗)系——也(🍺)让人(rén )想起了英(👩)国电影中的(de )社会现实主义传(chuán )统。然而，最重(⏺)要的是(shì )(👅)，在影像(xiàng )中(zhōng )不(bú )同层次的(🐌)电(🐱)影历史参考文(wén )(⛅)献之(✒)下，当前(🛃)许多政治(🎞)关联(📯)正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
详情
