诱饵
类型:剧情 / 地区:英国 / 年份:2019
主演:西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演:马克·詹金
更新:2025-03-21
简介:
康沃尔(ěr )渔村(cūn )的风景明信( )片田园诗误导了人们。虽然过去( )钓鱼(
康沃尔(ěr )渔村(cūn )的风景明信(📒)片田园诗误导了人们。虽然过去(🤢)钓鱼(yú )是一(yī )(🔧)种(🎗)养家糊(hú )口(kǒu )(🐉)的方式,但如今富有(yǒu )(💤)的伦敦(dūn )游(🌫)客纷纷下山(❣),取代了(le )当(😎)地人,当(🐿)地人(rén )的生计(jì )(🤷)因(🗄)此受(shòu )到(dào )威(🕯)胁。史蒂文和马丁兄弟的关系(🛺)也很(hěn )紧张。马丁(dīng )是一个没(méi )有船(chuán )的渔(🥀)夫,因为史(🤷)蒂文开始用(🌙)它来为一整天的游客(🛑)提供更赚钱(❔)的(💱)旅游。他们卖(🥎)掉了(le )这座家庭(🔝)别(bié )墅,现(🙌)在看来,最后一场战(zhàn )斗是和新(🈴)主人在(🥫)海(hǎi )边的停车位上(🕙)展(⛳)开。然而,情况很快(kuài )就失(shī )控了,而不仅仅是因为车轮夹钳。Bait是一种黑白(bái )(😊),手工制作,16毫米胶片制作的电影。许(💯)多关于鱼、网、龙虾、长靴(😙)、绳结(jié )(📛)和渔(yú )篮的特写镜头让(ràng )人想起了蒙(🔞)太(tài )奇(qí )景(📐)点的(de )理论。对(🐖)不(bú )同社会阶层(🚡)的描述—(🏓)—可(🎐)以(yǐ )说(🔲)是(shì )(👛)阶级(😳)关系——也(🍺)让(ràng )人想起了英国电影中的社会现(💑)实(shí )主义传统(🍹)。然(rán )而,最重(chóng )要的是,在影(yǐng )像(🍯)中不(bú )(🌲)同层次的电影历(lì )史(shǐ )参(cān )考文献之(zhī )下,当前许多政治关联(lián )正在等(děng )待(🔍)被发(fā )现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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